We are excited for this one, Mysterious Al‘s first Australian solo show in 3 years.
Get ready for a walk-through, interactive art experience in a top secret Melbourne location.
Due to the nature of the show, the location will be revealed just prior to the event.
Stay tuned to the event page or my mailing list for further info…
Kicking off BSIDE Gallery‘s 2019 program we have our studio resident and homie Evil Keanevil joining forces with Caper for a collaborative exhibition filled with colour and nostalgia.
Take a trip down memory lane and see iconic cartoon characters recreated in the contemporary styles that both artists have honed over the years, from acrylic paintings and stencils, to intricate woodcuts.
Join us for the opening of Tune In Toon Out from 6-9pm this Friday 18th January, proudly supported by Young Henrys!
The exhibition runs from Tuesday 15th – Sunday 20th January 2019, for all enquiries please contact the Gallery Manager Ariana – firstname.lastname@example.org
Caper has been an active street artist for over 12 years, creating illustrations and paintings that parody mass media and popular culture. His use of multi-layered imagery in his works at times appear idiosyncratic and quirky, whilst acting as typical by-products of American superabundance and marketing.
Caper’s works are saturated with mental inertia, cliches and bad jokes, and by their nature question the coerciveness of the superficial.
Evil Keanevil’s work is a dynamic and bold exploration of entropy and deconstruction of reality. Pop culture icons, as well as original characters are deconstructed to reveal their core components, usually by liquefying or melting the subject.
Questions and themes have risen through the meltingly matter, bubbling through the muck and surfacing in the paintings themselves – which components can be stripped away, and by what measure before the subject becomes unrecognisable? When the subject is melted down, is it their perception of reality being manipulated, or the viewer’s?
Nothing But Love – Tuyuloveme’s debut Australian solo exhibition opening night on Friday 26th October 2018. Exhibition running from 24th October – 4th November at BSIDE Gallery Level 1, 121 Brunswick St, Fitzroy.
Shot by – Nathan Ctc
Edited by – Fazzari Multimedia
Music by – Souls of Mischief
The mountains we climb is just as much about
self exploration, as it is about Japan.
Ed’s work has always explored two sides of the human experience, The moment in time, and the effect and the memory of it, the re interpretation and the re processing of a glimpse..
That’s exactly what Ed does in exploring Japan, and its sensations. Its layers of feeling, through the chaos of
Tokyo to the stillness of Kanazawa hills.
Each image is broken down into fragments, with slabs of colour, texture and tone, that symbolise the experience, weather by night or day, dusk or after dawn. This is a time capsule of travel, but also of the struggle and exploration each of us go through in growing as people and evolving beyond what we know.
The mountains we climb is about pushing limits of understanding. Exploring that place that brings discomfort, pushing the elements of your processing ability. For Ed he has done just this with his exploration of abstraction, and re interpretation.
Solo Exhibition ‘UNRULED’
Fri, 17th August, 6-9pm.
121 Brunswick St, Fitzroy,
Melbourne. ‘one line at a time’
Carved on 💯 % recycled paper, this new body of work symbolically and conceptually reinforces the need for cultural and social freedom.
Unruled by the traditional and historical facts of segregation and oppression.
‘Head North’ is a photographic series by Robbie Partington compiled over two years of working and travelling throughout North America. This exhibition seeks to explore life in some of the most remote regions across this part of the globe, as well as that of some of the busier towns and cities he visited.
Join us for the opening of ‘Head North’ from 6-9pm on Friday the 3rd of August, proudly supported by Young Henrys!
The exhibition runs from Wednesday 1st – Sunday 5th August 2018.